Specialist Areas

 
 
 
 
 
 
 
 
 
 
Login / Register | My Account
Item(s)
link to basket
(0)
Total: $0.00
Contemporary Music
A to Z Index A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Julian Philips

Born in Wales in 1969 and brought up in Warwickshire, Julian Philips studied music at Emmanuel College, Cambridge, and is one of Britain’s most versatile composers. His music has been performed across the world at major festivals and venues including the BBC Proms, Tanglewood Music Festival, Welsh National Opera, Glyndebourne and Wigmore Hall, by international artists including Gerald Finley, Dawn Upshaw, Sir Thomas Allen, the Vertavo String Quartet and BBC orchestras.

 

With a particular affinity for music for voice, Philips has been critically acclaimed for song settings of Emily Dickinson, e e cummings, Dylan Thomas and Langston Hughes among others and is currently writing a new song cycle for James Gilchrist based on the poetry of John Clare for 2016. His choral music is similarly celebrated and is included in the Choirbook for the Queen (Church Music) as well as being commissioned for the BBC Proms (Sorrowfull Songes).

As Glyndebourne Opera’s first ever Composer-in-Residence, Philips completed two chamber operas in 2006-9: Followers, a site-specific promenade opera with a libretto by Simon Christmas, and The Yellow Sofa with a libretto by Edward Kemp, subsequently featured in Glyndebourne’s tour and shortlisted for a British Composer Award. The year-long development of Knight Crew was filmed by BBC Television and the resulting series, Gareth goes to Glyndebourne, aired in June 2010. Philips’ recent opera How the Whale Became, a collaboration with Edward Kemp, was based on Ted Hughes’s The Dreamfighter and other creation tales, and was written for the Royal Opera House’s Christmas 2013/14 season.

Ballet and opera are natural progressions for Philips, who already has an impressive track-record in composing for the theatre and has written two full-length ballets for choreographer Michael Corder and English National Ballet; a ballet based on Les Liaisons Dangereuses was followed by The Snow Queen in 2007. Symphonic works also form Philips’ oeuvre with All that remains commissioned to commemorate the centenary of the beginning of World War I receiving its world premiere by the National Orchestra of Belgium.

A vital force in education, Philips is the Head of Composition at the Guildhall School of Music & Drama where he was made Honorary Fellow in 2007. He was responsible for the creation of both a new Masters Programme in Opera-Making & Writing and a Doctoral Composer-in-Residence scheme in association with the Royal Opera House.

Philips is currently writing a new opera for Guildhall based on The Merchant’s Tale from Chaucer’s Canterbury Tales for spring 2017 and is developing plans for a new music theatre piece on the life of poet John Clare for Mahogany Opera Group.

Featured Publications


powered by PRIAM © 2016